Parallel Universe Silver & Brass Jewelry Making in Ubud

Parallel Universe Silver & Brass Jewelry Making in Ubud is the kind of creative Bali activity that looks calm and stylish on paper, and still feels practical in real life. This one has the loose, design-first vibe spotlighted by VOGUE UK, but the real hook is simpler: you make what you imagine, with Balinese silversmithing skill in the room.

I like that the class time is clearly defined, 2.5 hours in the studio, so you can plan your day instead of guessing. I also love the crystal and stone gallery approach, because you are not stuck with a few random options. One thing to consider: the $30 fee covers the class, not the materials, so your final total depends on the silver or brass weight and any stones or add-ons you choose.

You’ll meet the team by The Garden, in the left corner near a Japanese Bamboo Library, so it feels like a tucked-away workspace rather than a loud retail stop. I’d just show up with a stone game plan if you want to use them, because browsing takes time, and you only get a limited window in the studio.

Key highlights worth your attention

• Design-it-yourself energy in a chill studio with Balinese silversmiths guiding you as you work.
• Pick from a big crystal and stone selection before you commit to your design.
• Make more than one silver piece and add stones you love, with “pay for what you use” pricing.
• Up to 1 stone setting included, with extra settings available if you want more sparkle.
• Templates and inspiration support help you move from idea to finished jewelry without freezing.
• Lots of flexibility for rings, bracelets, pendants, or earrings, depending on what you choose to make.

A relaxed Ubud jewelry class that starts with your idea

If you’ve ever wandered through Bali shops thinking, I want something like that, but actually made by me, this is a strong fit. Parallel Universe is set up so your imagination drives the process. You can come in with a rough sketch or a crazy concept, and the team works with you to turn it into a real wearable piece.

The whole experience has that calm, designer-craft feel. It’s not a rushed “watch someone make it” thing. The point is hands-on: you create the jewelry, and the silversmiths help where it matters.

I also appreciate the vibe balance. It’s creative and playful, yet the rules are clear. You know the studio fee covers the class, and you know you pay for the materials after, based on what you use. That keeps it from feeling like a surprise upsell later.

Finding The Garden meeting point, without adding stress

The meeting point is straightforward. Enter The Garden, then look for the left corner by the Japanese Bamboo Library. If you land in Ubud with no plan, that little landmark detail is a lifesaver.

Ubud traffic can be weird, especially during ceremonies and road closures. The practical advice here is simple: if your ride isn’t moving within about a 1 km radius of the studio, plan for a slower arrival or a short walk. I like that the studio team basically tells you what to do in plain terms. Strolling in Ubud can be part of the day, not a punishment.

Pro tip I’d follow: build in a cushion if you want stones. The class includes studio time, but stone picking is where you can spend extra minutes if you’re indecisive.

What happens during the 150 minutes, from browsing to making

The total duration is listed as 150 minutes, with 2.5 hours of studio time included in the workshop price. In practice, that usually means you’ll spend part of your window getting oriented, then the bulk of the session is focused on creating.

Here’s the flow you can count on from how the class is described and how people talk about it:

1) Start with inspiration, not intimidation

You’ll get inspiration help to get moving. People mention using templates and an inspiration book, and the team supports you through early decisions. If your creativity feels slow at first, this is the moment where you can lean on their references.

What I like here is that it lowers the barrier. You are not required to show up with artistic talent. You’re required to show up with curiosity.

2) Choose your design, then create it yourself

You can craft things like rings, bracelets, pendants, or earrings, or something different if you have an idea. One key selling point is that you can throw in a “crazy design,” and the team helps you make it happen.

You’ll do the hands-on work, with staff guidance. Several people describe the support as patient and step-by-step, including when they changed their design multiple times. That matters because design changes are normal. Jewelry-making is finicky, and being able to adjust without embarrassment is a big deal.

3) Add stones and settings if you want them

There’s an on-site crystal and stone shop, so you can browse before committing. If you plan to use stones, the studio explicitly suggests arriving a bit earlier to browse so you get the time you need.

The pricing also tells you what’s included. The class fee includes up to 1 stone setting. Stones themselves are not included. If you add more settings later, you pay the per-setting add-on fee, and stones are priced separately based on what you choose.

Price that makes sense: $30 class fee plus pay-for-what-you-use materials

The headline price is $30 per person, but the key detail is how it’s structured. This fee is for the class fee only, meaning it covers the studio time and instruction, not your metal or stones.

What the $30 fee covers

Based on the provided info, workshop price includes:

• 2.5 hours studio time
• Up to 1 stone setting

That’s a clean structure. You’re paying for your time in the studio and the know-how. It keeps your costs aligned to the actual jewelry you end up making.

How materials pricing works

You pay for what you use, with metal priced per gram:

• Silver: 85k per gram
• Brass: 30k per gram

Add-ons are also listed:

• Extra stone setting: 25 per each

The first setting is free, stones are not included.

• Stones and crystals: starting from 8k

The shop has hundreds of stone types on their main website.

• Extra design: free, but keep it fast

Extra time may apply.

• Extra time: 100k per 60 minutes

Gold is mentioned too:

• Gold on request
• Gold plating: 60k per gram

I like that this is all spelled out. Jewelry-making can turn into a mystery box of costs. Here, at least the pricing leans honest.

Choosing metal and stones like a pro, without overbuying

If you’re choosing between silver and brass, think about the look you want and how many stones you plan to add.

• Silver costs more per gram, but it’s a classic “Bali souvenir jewelry” metal that pairs well with lots of crystal styles.
• Brass is cheaper, so it can work if you want to experiment with a design or make multiple pieces without the budget jumping fast.

On stones, the price starts from 8k, but you’ll likely see a spread. The best way to control cost is to pick stones you genuinely want, then build your design around them. Don’t pick stones randomly because you feel pressured to use them.

One more practical point: if you want more than the included one stone setting, the extra setting cost is clear. Still, it can be smart to decide early in the session whether you truly want that second setting. People love adding sparkle, but it changes both time and total cost.

Extra settings, extra design, and when to ask questions early

The “anything you imagine” promise is real, but there’s an important craft reality. You have limited studio time. If you go wild with design complexity, you may need more time, and that’s where the add-on extra time at 100k per 60 minutes comes in.

There’s also a detail that’s worth taking seriously: one session experience can feel under-explained if the workshop is busy. In one case, a person said help or process explanations felt delayed, and stones or gold plating weren’t explained unless they asked. That’s not a reason to avoid the class, but it is a reason to be proactive.

Here’s what I would do:

• Ask early about how stone settings work in practice, before you commit to a design.
• If you’re curious about gold plating, ask about how it’s handled and what it means for your timeline.
• If you want a custom twist, confirm whether it requires extra time.

This keeps you in charge. You won’t need to guess, and you won’t end up frustrated halfway through.

What you can make: rings, bracelets, pendants, and more

The class is flexible on outputs. You can craft rings, bracelets, pendants, earrings, or something entirely new. The practical value is that you can choose a piece that actually fits what you’ll wear back home.

A lot of people ended up making two silver bracelets or rings, and one described stamping the word BALI on their ring, which makes it feel like a real souvenir rather than a generic trinket. If you like the idea of a personal statement, this is where you can shape it.

If you’re traveling with a partner or a friend, this is also one of the better classes for “different results, same session.” You can each pick your own design and still enjoy the shared experience.

The help you get: hands-on with guidance, not a factory tour

From the way the workshop is described, the goal is active creation with Balinese expertise in the background. Staff are there to guide you through the process and keep you moving, while still letting you do the work.

People specifically mention instructors being patient, helpful, and treating you more like a friend than a rushed customer. That matters. In craft classes, the quality of guidance can be the difference between you feeling proud of your work or just feeling like you survived it.

So if you’re worried you’re not creative enough, don’t be. The class includes inspiration support, and multiple people describe changing designs and still ending up with a beautiful piece.

Who should book this jewelry class, and who might skip it

This is a great choice if:

• You want a hands-on Bali souvenir that you can wear, not just buy.
• You like choosing your own look, especially stones and crystals.
• You’re okay with a pay-for-what-you-use structure and you want control over total cost.
• You enjoy creative tasks even if you start with a rough idea.

You might want another option if:

• You hate uncertainty about final spending, because materials and add-ons are separate.
• You only want a quick “watch and leave” experience. This is actively hands-on.

If you want one simple rule: treat this like a mini project day. If you show up curious, you’ll leave with something that feels personal.

Should you book Parallel Universe in Ubud?

Yes, I think you should book it if you want a real, personal-made souvenir and you’re excited by the idea of picking your own metal and stones. The structure makes it feel fair: you pay the class fee for studio time, then you pay for the exact materials you use.

I’d book it especially if you like the idea of making a ring or bracelet and customizing with a stone setting. Just come ready to spend a little mental energy early on, and ask questions about stone settings and gold plating if that’s part of your plan.

And if you want the cleanest experience, arrive a bit earlier for stone browsing, so you don’t feel rushed when it’s time to commit. That timing tweak alone can make your final piece feel much more like your design.